The Deronda Review
a magazine of poetry and thought
Vol. VII No. 2 2018
Yoram Raanan, Phoenix Arising 2, oil on canvas, 80 x 100 cm (2017) (commentary below)
In this issue:
Susan Oleferuk, Zev Davis, Don Kristt, Thomas Dorsett, Ruth Fogelman, Heather Dubrow, Vera Schwarcz, Carolyn Yale, Mindy Aber Barad, Cynthia Weber Nankee, Esther Cameron, Yakov Azriel, Sarah Brown Weitzman, Esther Lixenberg-Bloch, KJ Hannah Greenberg, Stephanie Sears, David Olsen, Felice Miryam Kahn Zisken
II. Flight Patterns
Carolyn Yale, Wally Swist, Eric Chevlen, Steve Luebke, Pearse Murray, Guy Thorvaldsen, Constance Rowell Mastores, David Olsen, Sean Lause, John Grey, Tony Reevy, Florence Weinberger
Kathy Dodd Miner, Alana Schwartz, Dianalee Velie, Ray Gallucci, Jane Blanchard, Susan C. Waters, Fred Yannantuono, Mindy Aber Barad, Tony Reevy, Lyn Lifshin, Esther Lixenberg-Bloch
Judy Belsky, Florence Weinberger, Lois Michal Unger, J.J. Rogers, Frank Salvidio, John Grey, Martin H. Levinson, Sean Lause. Yaffa Ganz, Thomas Dorsett, Gerard Sarnat, Catherine Wald
Birgit Talmon, Pearse Murray, George Held, Paul Hostovsky, Thomas Dorsett, Yakov Azriel, Dina Grutzender, Rumi Morkin, Esther Lixenberg-Bloch, Tsippy Levin Byron, Esther Cameron, Edward Clarke, Brenda Appelbaum-Golani
Ben Ackerman, Joy Krauthammer, Gordon Ramel, Cynthia Weber Nankee
Roberta Chester, Carole Stone, Vincent J. Tomeo, Ruth Fogelman, Judy Belsky, Nurit Gazit, Florence Weinberger, Shira Mark-Harif, Esther Cameron, Yehuda Peretz, Yuval Maman, Hayim Abramson
Eric Chevlen, James B. Nicola, Paul Hostovsky, Florence Weinberger, Hayim Abramson, Harvey Steinberg, Alana Schwartz, Constance Rowell Mastores, Doug Bolling
Mona Clark, James B. Nicola, Judy Belsky, Vera Schwarcz, Florence Weinberger, Simon Perchik, Mark Rhoads, Constance Rowell Mastores, Michele Levy, Doug Bolling, Felice Kahn Zisken, Mindy Aber Barad
E. M. Schorb, Daniel Gustafson, Miriam Webber, Esther Cameron, Catherine Wald, Paul Hostovsky
James B. Nicola, Yaacov
David Shulman, Heather Dubrow,
Michael E. Stone, Yakov Azriel
by Meira Raanan on
"Phoenix Arising 2":
months after the fire that destroyed his studio and 40 years of work, Yoram started painting in oil in earth tones, burnt and
raw siena, as well as iridescent gold on black
panels. Painting in gold is about the transformation of fire into redemption,
light coming out of darkness, transformation of tragedy.
Editor: Esther Cameron., email@example.com. Co-editor for Israel: Mindy Aber Barad, POB 6709, Efrat.
Since its inception as The Neovictorian/Cochlea in 1996, The Deronda
Review has included a Contributors' Exchange of addresses (surface, email,
URL) and available books. Contributors' Exchange is now a separate .html file,
and includes contributors from vol. 5 no. 1 on.
Yoram Raanan, Wings of the Earth, 2017, oil on canvas, 80 x 100 cm.
“Wings of the Earth” began with
black, ochre and burnt sienna to which Raanan added
gold to give it life and light. The top of the painting is done with his
fingertips playfully dipped into the gold.
The brushstrokes give the feeling of feathers and wings,
so that it looks like the earth itself has wings. Wings are a symbol of
spirituality and here the very earth seems to be rising up to heaven.
for Eyal V.
I have flown.
I have moved from one place to another.
I am open
confidently jumping fences.
Well, by God, I'm winged.
He gives me this day as a present
and I envision it green in my mind.
Indomitable horse--here, there and everywhere
Hair tossing in the come-what-may wind.
I came to this world to learn
that the good way is the best way.